Ebook Form Follows Fiasco: Why Modern Architecture Hasn't Worked, by Peter Blake
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Form Follows Fiasco: Why Modern Architecture Hasn't Worked, by Peter Blake
Ebook Form Follows Fiasco: Why Modern Architecture Hasn't Worked, by Peter Blake
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Product details
Paperback: 169 pages
Publisher: Little Brown & Co (February 1, 1978)
Language: English
ISBN-10: 0316099392
ISBN-13: 978-0316099394
Package Dimensions:
10.8 x 8.4 x 0.5 inches
Shipping Weight: 1.2 pounds
Average Customer Review:
4.3 out of 5 stars
5 customer reviews
Amazon Best Sellers Rank:
#447,434 in Books (See Top 100 in Books)
Good criticism of modern architecture.
Peter Blake's 1976 attack on the Modern Movement, as he characterizes it, tells of many negatives and few positives in this once-dominant style of architecture. Eleven chapter headings all starting with "The Fantasy of...." dissect, individually: function, the open plan, purity, technology, the skyscraper, the ideal city, mobility, zoning, housing, form, and architecture itself. All fall short. According to Blake, "The Modern Movement--the creed in which we were raised and to which we pledged allegiance throughout our professional lives--has reached the end of the road."As it happens, time has modified Modern Movement to the extent that it is no longer a dominant creed, without,however, replacing it with any single new movement. Architecture is now more diverse and and complex and seems destined never to return to the narrower views of early modernism. Rather than coming to an end of the road, the road branched off into many new directions, one of which remains modernism, without the capital letter.A flavor of his writing is this: "Few of the architects ever move into one of their own ephemeral creations. They know what is best for them--places with solid walls, solid doors, and real windows that let in real air and real light. The open plan is for somebody else, preferably someone who is deaf to noise, blind to views, and equipped with his or her own portable supply of air." As a caricature of architecture, it has an element of truth. It is not, however, an accurate description of the diversity of modern architecture past or present.
I'm not an expert, but I shared a dislike of modern large-scale architecture with the author, so I bought this book. A non-specialist can easily understand it, and it's short. It touches on all kinds of trends in architecture, commenting briefly so even the uninitiated reader gets a sense of where weak arguments have been put forth by the community. The book has all kinds of recommendations. The author is the ex-editor of Architectural Forum magazine, etc., so you're getting informed and useful opinion. Recommended for all architects and anyone involved with urban planning in their own city.
Here's an oft forgotten book, that shouldn't be. At a time when the large majority of people still resist modernist architecture...as opposed to new architecture...this book explicates the reasons why. The majority will say that modern architecture is hard, cold, expensive, and unsuitable for comfortable living. Blake posits the facts: That the earliest modernists were abstract theorists, and as such their greatest failure was...and continues in modernism's latest iterations...in not designing for how people actually live.Blake notes that such work is designed out of the abstract industrial aesthetic. An aesthetic, fitted into the deductive planning mentality, affecting the public from the top-down, instead of vica-versa. The author underlines as well, that beauty, harmony, order , and the recognition of urban context have not been the virtues of modernist 20th century work.This book still has validity, for in architecture today, our traditional architectural heritage is being rediscovered...not in the sense of work to be copied...but work to be stimulative, and to be learned from. The modernist cry against traditionalism has always been; "Pastiche!". But the truth is that modernists themselves...still widely populating architecture schools...are guilty of their own emulations of the modern "masters". This could be laudable if the work, as Blake amply illustrates, has not been so horribly bad.Blake demonstrates, and my taste informs me, how so much of work today has become "look at me" design, by enfant-terrible starchitects....building often wildly abstract, impractical designs for human use...buildings that in fact, leak. Blake points out that Modernism has left us a legacy of unlovable architecture...often quite actively ugly. This remains as true today as it was in 1977, when he wrote this forthright mea culpa.As an architect himself, and former editor of "Architectural Forum" magazine, he was well positioned to make his warnings. Is is a misfortune for us all, they were not heeded....though modernism continues to be suspect by the public. Today Blake's views retain their freshness and contemporary connection. He deserves to be rediscovered by the profession itself.
I really enjoyed this book. We've all done it, we've been in front of some shiney new "modern" building, sometimes with rain streaking it's flat concrete facade, or the sun baking it and reflecting the heat onto your face, and you're told this building has been "designed" by "experts" and yet... and yet... IT'S UGLY! Finally here's a book by someone with valid architectural credentials showing that the "emperor has no clothes", especially the emperors of the Bauhaus movement whose unlovely buildings and un-sitable chairs grace every book on design. As you can tell, this book really hit home for me.The author also works in a great many specific examples of great beginnings that have turned out to be hollow over time. I was especially fascinated to learn Buckminster Fuller's giant geodesic dome for the 1967 Montreal World's fair burned in a spectacular 30 minute fire in the 70's. (Google for the photos, they're awesome). It seems that plexiglass panels were not such a great building material after all! A welder's torch set one on fire and they all went up. The metal frame remains.There are other wonderful little tidbits here too. I highly recommend this book to anyone with even a passing interest in architecture, or who has had to live/work in one of these monstrosities.
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